Exploring that with David, and also with Wayne McGregor and the physicality of it, of letting the animal come out, in a way. Being civilised but at the same time being an animal, and the friction that creates. And slowly, he reverts back to a more atavistic state.įrom a character perspective it was interesting to play, to work on that, that duality, the dichotomy that I think is a metaphor for being human. He made some enemies there, and he’s also afraid of himself, and what he’s capable of there. But the main story is this Victorian gentleman who is forced to go back to the place where he was born and raised a place he loves, but he’s also afraid of going back. You see the origin story in flashbacks, you get to see how he ended up in the jungle, what happened to his parents, him growing up with the apes. It’s almost the opposite of the novel, or most of the old movies. It’s a brilliant take on a classic, iconic tale. So, he was more excited about this than I was! I thought it was a brilliant script. He would save his money and every weekend he would go to the Saturday matinee in Sweden, and watch Tarzan. He grew up watching Johnny Weismuller, in the fifties and sixties. Were there conversations around the dinner table at Christmas where you were spilling the beans on Tarzan? I loved that, because it’s so small and detailed. To map that out, and find these moments, maybe even at the beginning of the movie, for a split second when the animal comes out it can be a little movement or a sound, something where he loses it, not when he’s around people but when he relaxes for a minute. Slowly, together with Wayne, we worked on when he goes back to the jungle, to his roots, and slowly he goes from John Clayton to Tarzan.
#How can i watch the legend of tarzan how to#
In terms of his physicality it was interesting to play someone who deep down is an animal, but he’s learned how to play the part of a British Lord. He went back to London, he’s been there for eight years now, and he thinks ‘this is my legacy, this is my obligation to be Lord Greystoke, to run the manor because my parents are gone.’ So he does it, but he doesn’t belong there. But because he grew up in the jungle, he’s a great observer and he adapts, because you have to in the jungle. I didn’t know what to expect when I got the script, and I open it up and one page one he’s sitting drinking tea with the Prime Minister. I thought it was such an interesting take on a classic, iconic character and a classic story, because he starts out as Lord Greystoke. It was more than just lifting weights and eating chicken breasts, it was important that he was flexible and nimble, so we worked a lot with Pilates and yoga, that kind of stuff. I had the pleasure of working with Wayne McGregor, who’s one of the greatest choreographers in the world, and he was with us every day on set, and exploring the physicality of the character was so much fun. When he moves through the jungle he has to look like somebody who belongs there. It was important that when Tarzan moves through the jungle, it was important that every muscle was there for a reason.
![how can i watch the legend of tarzan how can i watch the legend of tarzan](https://m.media-amazon.com/images/M/MV5BMWI3NGVjMmMtNjcxNS00MjI1LWIwNTEtNTczNDEwYjIzMzljXkEyXkFqcGdeQXVyNzU1NzE3NTg@._V1_QL75_UX500_CR0,47,500,281_.jpg)
I wanted to get a bit bigger, because I’m naturally quite lean, but I didn’t want him to look like a broiler.